Hello everyone,
It’s been a little while since I’ve posted anything. I am
currently working on reorganising and indexing all of the Warhammer Skirmish
scenarios, however it will be a little while before I am ready to post these on
the blog. In the meantime, here’s a quick painting guide for my Averland state
troops from the Empire. Unfortunately I forgot to take progress shots, but I
hope you find the guide useful in any case.
Paints:
I paint with an eclectic hodgepodge of different brands I’ve
collected over the years. In fact, I’m still using some of my oldest paints
from around 2004! As such, there’s no guarantee you could follow this using the
exact paints, but I’m sure you’ll be able to improvise using what you have.
Undercoat:
From force of habit I undercoated in black paint, but
honestly undercoating all in white then basecoating the metallics in black
would definitely have saved me time. It’s up to you which undercoat colour you
use though.
Metal:
I have a tried and trusted technique for painting worn steel,
derived from a Games Workshop guide from a while back. As such, it will
probably be pretty familiar to some of you, just with different paints.
- To start, basecoat the metal in a dark brownish metallic
colour. I used to use GWs Tin Bitz, but I ran out and they stopped selling it,
so I now use their excellent Warplock Bronze, which is pretty much the same.
- Heavily drybrush the metal using a standard silver
metal-colour paint. I used to use GWs old Boltgun Metal, but now use Miniature
Paints Silver.
- Wash the armour with a black wash or ink. I use Army
Painter Dark Tone Wash, but I’m sure the GW equivalent (or Vallejo or whatever)
will work just as well. The wash tones down the drybrushing results and really
makes it look good.
Wood:
I
basecoated the wooden hafts and handgun stocks with Miniature Paints Chocolate
Brown. I then carefully painted on the woodgrain with watered down Vallejo
British Uniform, drawing irregular wavy lines along the length of the stock.
Flesh:
I’ve tried all sorts of basecoats and washes to do flesh, but
I find a very traditional basecoat-mid-highlight scheme works best for
Caucasian skin tones for me. Feel free to substitute your own preferred method!
- Basecoat the flesh with a 50:50 mix of a dark red-brown
terracotta colour and a pinkish skin tone to get a dark fleshy pink colour
that’s perfect for shading in the recesses. For this, I use a mix of Miniature
Paints Chestnut Brown, which is almost equivalent to GWs old Dark Flesh colour,
and GWs old Dwarf Flesh, but any warm, slightly pink pale skin colour will work
well.
- Mid tone the flesh with a pinkish skin tone, leaving the
base colour visible in the recesses of the face and between the fingers. I use
GWs Dwarf Flesh here but any warm, pink pale flesh colour will be suitable.
- Highlight the raised areas of the flesh, so the nose,
eyebrows, top of the cheeks, chin, knuckles etc., with a paler flesh colour. I
use GWs old Elf Flesh, but one could simply add white to the their midtone
colour, or use their preferred equivalent instead.
- Optional highlight: When I can be bothered, but
particularly on character models, I sometimes do a very fine final highlight on
the extremities of the flesh using an off-white or cream colour. This includes
the very point of the nose and the most prominent knuckles. At this stage it is
important to make sure that paint really has been thinned down! I use the
Miniature Paints Cream, but it is actually very white, so I am sure a normal
white paint will also do the job fine when watered down sufficiently.
Yellow
Cloth:
For the yellow, I basecoated all of the cloth white then used
the new GW contrast paint Nazdreg Yellow, then added a highlight. This contrast
paint is great as it adds a lovely dark red-brown shade in the recesses but a
nice yellow tint to the raised surfaces, without it being garish. To get
uniform results, however, I would advise always taking paint from the body of
the pot, not the lid, wiping your painting surface to check the consistency
before applying. When painting, for proper shading, you do want to be applying
it thickly initially, but then using your brush to drag it around the model as
much as possible. Be careful also to babysit your models and drain pools of the
contrast away from recesses before they set. If you time it wrong, however, it
is all too easy to remove a pool and also remove all of the shading from that
area.
Inevitably, I had to make corrections to the contrast painted
yellow. Instead of repainting white and using the contrast again, I used a mix
of a mid yellow (in this instance GW Golden Yellow) and Miniature Paints
Chestnut Brown (the lovely dark red-brown I mentioned earlier) to recreate a
shaded yellow colour, while watered-down Chestnut Brown matched the colour of
the deepest recesses. I also found GW Golden Yellow on its own closely
approximated the colour of the yellow contrast-painted areas.
Anyway, to highlight I used the old GW paint Sunburst Yellow,
which is quite a bright yellow.
Black Cloth:
For the black cloth I applied a single highlight of a 75:25 mix
of Miniature Paints Black Primer and Miniature Paints Cream to the undercoat,
which was also Miniature Paints Black.
Red
feather:
I simply basecoated this white and applied the GW Contrast
Paint Blood Angels Red. I actually really liked the effect this gave and didn’t
feel the need to highlight further.
Leather:
I basecoated the leather with a dark red-brown, in this case
the Miniature Paints Chestnut Brown. I then washed it with Army Painter Dark Tone wash, and then highlighted with Chestnut Brown again.
Shield
decoration:
For the comet, I first painted on the shape in white,
sketching on the outline before filling in the shape when I was happy with it.
I then shaded the extremities of the comet and tails with GW Contrast Blood
Angels Red. I shaded the rest of the shape with GW Contrast Nazdreg Yellow.
Finally, I highlighted the centre of the comet and tails with GW Sunburst
Yellow.
And there you go, I hope you like my quick way to make
good-looking Averland troops. For the Empire!
Thanks,
Owen